Chantelle Komm and Dr. Harrison Powley, Music As proposed, I spent this summer in Quebec listening to the radio and making comparisons between the amount of French I heard on the radio, the amount of French mandated by the CRTC, and the amount of French in non-regulated spheres. The two areas I looked at for […]
The Effects Of Live Harp Music On Caloric Intake, Weight Gain, And Length Of Stay Of Infants In The Newborn Intensive Care Unit
John Wallace Gardner and Dr. Rosalie R. Pratt, Music Prematurely born infants begin life with underdeveloped systems and organs and lack the stability to live optimally outside the womb without significant support from technology and trained professional staff. Preterm infants may suffer from low weight, difficulties with consumption and digestion, exposure to high stress, uncontrolled motor movement, […]
JUDAS AND PETER
Jonathan Rayback, Department of Music The project for which I received a grant from ORCA consisted of composing a cantata for amplified voices and electronic accompaniment relating the story of the fall of Judas Iscariot. Initially my intention was to produce this piece with the aid of the MAX interactive programming environment as well as […]
REPORT OF THE CARLOS SURINACH PROJECT
Lara Lambert, Kyshana Lowe, Sariah Mourik, and Emily Barrett, Music As the Brigham Young University piano and string instrumental quartet, made up of Lara Lambert, Kyshana Lowe, Sariah Mourik, and Emily Barrett, we wish to express sincere gratitude to the BYU Office of Research and Creative Work for the grant received last year. Upon receiving […]
Composing for the Orchestra: An Exercise in Decision Making
Benjamin Sabey and Dr. David Sargent, Music As a young, aspiring composer, writing for the orchestra has always been a desirable but intimidating goal. I knew that my first attempt would be fraught with obstacles and challenges. The first of these was one of purely logistical nature: the lack of orchestra that might play my […]
Bridging the Gap
Rachelle M. Hulme and Professor Lawrence Vincent, Music Many students of music struggle once they have reached the critical point in their training where they are expected to make their way in the professional world. They find a substantial gap between their opportunities as university students and the seemingly unattainable status of professional musicians. I proposed […]
Viola Project Report
Tyler Hokanson and Dr. Claudine Bigelow, Music William Primrose, eminent performer, pedagogue, and proponent of the viola, spent his last few years at Brigham Young University. Mr. Primrose was a colleague and former teacher of David Dalton, who was at that time professor of viola at the university. Because of Primrose’s close connection to Dalton, […]
The Development of Musical Thought
Melissa J. Clayton and Professor Jerry L. Jaccard The question that drives this research is: What is the process of musical thought development in children? In sorting through possible answers to this question I have studied the work of Piaget (1, 5 and 6) and Moog (4). Moog’s studies of the musical experience of pre-school age […]
Mastering Berio’s Sequenza for Oboe
Melanie Carter and Dr. Geralyn Giovannetti, Music Purposes of the Study My principal goals upon starting this project were first, to prepare myself for graduate level studies, future orchestral playing, and teaching; and second, to help me gain an appreciation and understanding of 20th century music. I based my project on Luciano Berio’s Sequenza VII […]
Music Cataloging: The Compositions of Murray Boren
Darrell L. Brown and Dr. Brian Harker, Music Murray Boren is the composer-in-residence at Brigham Young University as well as a professor of musical composition and theory. He studied composition at BYU as an undergraduate and did graduate work at BYU and City University of New York. He is a composer who has generated many […]
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